Holding Space

I grew up without roots. On lands shaped by histories that weren’t really mine. The genocide of First Nations wasn’t something I learned about until adulthood. Like so many in North America, the effects of colonization were ways of living that I inherited. If I had been asked where I wanted to be born, I would have chosen this land already rich in culture. Being a settler means I grew up without an origin I could fully claim. No place I could point to and say: this is where I come from.

From crisis rooms to the page

I’ve learned to hold space in rooms (and on page!) where trust is earned, not assumed.

A narrow writing desk stands alone in front of a large window overlooking a turbulent gray sea, waves capped in white foam striking dark rocks below. On the desk rests a stack of printed manuscript pages secured by a metal clip, edges slightly curled and water-stained as if once rescued from a spill. Beside them, a small digital recorder and a neatly lined row of sticky notes in muted tones suggest careful, methodical work. Late-afternoon storm light filters through heavy clouds, streaking the room with alternating bands of brightness and shadow. Photographic realism, composed using the rule of thirds from a slightly elevated angle, emphasizes the fragile papers against the vast, restless ocean beyond, capturing the mood of hard-earned trust and emotional excavation.

About

Nicole Monasterio is a writer and Crisis Support Specialist. With more than two decades in caregiving and support roles, she is passionate about caring for people. For the past eight years, she has helped individuals navigate addiction, trauma, grief, poverty, and mental health crises. Her experience also includes a professional nanny career, facilitating women’s retreats, and workshops at music and arts festivals throughout North America. Nicole draws from both professional and lived experience with addiction, grief, recovery, and family rupture. Her writing explores identity, belonging, complicated family relationships, and the ways we make meaning from the stories that shape us.

Nicole lives on Vancouver Island with her wife and daughter.

A weathered wooden pier stretches into a dark, churning lake under a heavy, cloud-thick sky, the wood slick with recent rain. At the very end of the pier sits a solitary, closed notebook with a soft black cover, its elastic band carefully wrapped, a pen laid precisely on top. A faint reflection of the notebook shivers in the water between the pier boards, distorted by small waves. Late evening light, cold and blue, leaks through breaks in the clouds, catching water droplets and the notebook’s subtle texture. Photographic realism, captured from a low, receding perspective along the pier’s planks, creates strong leading lines into the distance, suggesting the lonely, resolute path of confronting memory and the tenuous safety of a space where words must earn trust.

The largest parts of me: Basque Spanish and Greek roots. Names I could say out loud. But not names I could fully claim. My paternal family comes from a small town in Spain—Monasterio. I tried to hold on to that as something special. The meaning of my last name; monastery. My mind imagined monks chanting for peace. My last name was a way for me to visualize the life my ancestors lived. Maybe a name could help me understand the life my father lived?

My father was a voice on the phone throughout my childhood and I was the only one of my siblings who remained in contact with him during those early years. Our relationship was built in fragments. But the magnitude of his absence never wavered.

It took me years to understand what I was inside of. Mom was the one who named what was happening. My father was living a Greek tragedy. Not in some theatrical dramatic way, just a pattern of story that unfolded slowly. Choices my father made that didn’t seem like much at the time—until—they were.

Performing arts were the only place I could make sense of life. The stories, music, and live performances. Without them, I don’t think I would have survived. They gave me a way to feel things. I found a way to witness chaos without disappearing inside it. I didn’t know that’s what I was doing at the time. I just knew I needed it. Like breath.

There came a point where I couldn’t ignore the calling anymore. There were only a few options left: I could become an addict on the streets or I could end my life or I could write the book.

To finally face it.

My debut memoir is that choice. It’s not a confession. It’s not a perfectly packaged resolution. It is simply the truth of it all. 

Letters from the in-between

Write me

For conversations, collaborations, or permissions, reach out with a note. I read every message and respond as capacity and season allow.

nicolemonasterio@outlook.com

Contact

Share a few lines about why you’re reaching out; I welcome specificity, uncertainty, and everything still finding its language.

Based online, responding from tidewater.

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